You just want the whole thing to be over with. When the end finally comes upon the audience, the feeling of being arm-twisted into tearing up for a historic tragedy makes you feel disconnected. You hear 'Mirzya-Saahiba' songs and you are reminded of how the film made on those legendary lovers bombed at the box office. Meanwhile the ghostly tale of the past has become drab because she does to the gorgeous lad which most scary girlfriends do: change him, gets him to sing 'serious, purposeful' songs. The bride, on the other hand seems so vacuous, she has nothing to do but cry at her groom's reluctance. Interspersed with interaction of the ghost with Suraj Sharma the reluctant groom, we begin to yearn for something more, something better. Of course the pace of this romance and the never-ending song and dance sequences leave you wondering if the film were actually moving in real time. The romance between Anushka Sharma and Diljit Dosanjh is shown wonderfully with a disapproving brother thrown in for good measure.
Diljit Dosanjh in his introduction wins your heart and gives the audience a wake-up call. He's everything you'd imagine a local Don Juan to be. He's as cocky as they come, and the very first appearance and the subsequent song actually earns him a star on his own. Another poet in town is very popular for his seductive songs, with girls leaving their anklets on his door. A doctor's sister, she leads a sober life but secretly writes poetry published in a local paper. Anushka Sharma remembers her life in the small town of Phillaur. The ghost is Anushka Sharma and the groom is a mostly sad as he smokes up. So it watches the proceedings and asks questions of the groom. The ghost cannot go back to the tree because it has been cut down after the 'wedding'.
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